Mr.’s “People misunderstand me and the contents of my paintings . . .”
Cementing otaku culture
James Clar’s “The World Never Ends”
Exploring digital technology by referencing one of the oldest Eastern philosophical texts, the Bardol Thodol.
Highlights from Busan Biennale 2018: “Divided We Stand”
A tidy formulation for the situation today on the Korean peninsula, and other places around the world that remain partitioned or separated by the legacies of decolonization and Cold War politics.
Zanny Begg’s “The Beehive”
The Beehive (2018) tells the story of Juanita Nielsen, a Sydney heiress, activist, and publisher of local newspaper NOW who disappeared in 1975.
“Focus Kazakhstan: Post-Nomadic Mind”
Bringing together contemporary Kazakh art by 32 artists with a meticulous curatorial approach.
Maggie Lee’s “Music Videos”
Lee brings her collagist editing technique to bear on the pedestrian template of the music video.
“Tell Me a Story: Locality and Narrative”
Details cultures and historical accounts from across the Asian continent through personal storytelling.
