Real DMZ Project 2018: “Borders as Specters”
As a forbidden zone, the DMZ and North Korea beyond it hold the magnetic appeal of the unknown.
“The Commute”
Indigenous consciousness prevalent across the Pacific Rim through the concept of
Behjat Sadr’s “Dusted Waters”
Exploring Behjat Sadr’s incessant relocation from Italy, Tehran and Paris.
“Focus Kazakhstan - Thinking Collections: Telling Tales”
A survey exhibition of the Kyzyl Tractor Art Collective.
Seoul Mediacity Biennale 2018: “Good Life (eu zên)”
What alliances and collisions of consciousness are brought together?
“Art for Education: Contemporary Artists from Pakistan”
Opposing to common portrayals of
“The Extra Extra Ordinary”
The show
