Kesang Lamdark’s “Knock, Knock”
Titled after the repetitive hammering needed to make the tiny holes in the light boxes and sculptures on display.
Titled after the repetitive hammering needed to make the tiny holes in the light boxes and sculptures on display.
Highlights from the first edition of the triennial video and performance series in Bangkok.
Artwork speaking of the forces shaping Nepal: tenets of Buddhism meeting hyper-globalism, geopolitical tensions, and vulnerability to natural disasters.
Bradford explores representational theory and the slippage between two- and three-dimensionality.
Provoking subjective associations with the neighborhood
Six international photographers all reflect the notion of
The first edition of a new event for Thailand’s major city.