The institution

The exhibition is a quirky collection of works ranging from small, tarot card-inspired oil paintings to humorous and paradoxical sculptures.

Chen celebrates the fact that what was once marvelous and untouchable can now be summoned digitally over a hundred times at will.

The exhibition features three artists who weave into their work their personal life stories of growing up outside their homeland.

Featuring more than 200 portraits of women from all walks of life

Semar inevitably restores chaos by forcing awareness, prompted by his vulgarities, gossip and barbed critiques of current events.

The exhibition examines the subjectivity of eroticism and its prevalence in contemporary Japanese culture, where sexuality can be viewed as self-expression and social commentary