Noh Suntag’s “The 4th Wall: State of Emergency II”
Nine years have passed since the Korean artist
Aishan Yu’s “1=0.999999999999999. . .”
The true artistic value in the artist’s work comes from her tendency to extend beyond the frame of her drawings, departing from photorealism to suggest subjects to us, allowing new and unexpected perceptions to predominate.
“Doublethink: Double Vision”
An exhibition, curated by Alistair Hicks, that challenges our perception, focusing on how artists deal with repressive conditions.
Sulafa Hijazi’s “Animated Images 002”
The Berlin-based, Syrian artist marries a powerful if at times simplistic political sensibility with the wry humor and idiosyncratic aesthetic of much contemporary digital art.
Surendran Nair’s “Cuckoonebulopolis: (Flora and) Fauna”
Exploring notions of indeterminacy and ambiguity, while intending to push the viewer to consider new hypothetical realms of possibilities.
“Breathing Space: Contemporary Art from Hong Kong”
Reflecting Hong Kong’s fighting spirit.
“Listening to Transparency”
An extensive sound art exhibition with the theme of transparency in the Minsheng Museum
Dacchi Dang’s “An Omen Near and Far”
The exhibition spans three and a half decades of the Vietnamese-Australian artist
“Jingfang Hao & Lingjie Wang”
The gallery space transformed into a quiet amusement park filled with studies and experiments on machinery, technology, material and natural phenomena.
