Alwar Balasubramaniam’s “Liquid Lake Mountain”
Supported an underlying theme without succumbing to kitsch or sacrificing the purity of the white cube aesthetic.
Heman Chong’s “Abstracts from The Straits Times”
Objectivity is a myth.
He Xiangyu’s “Evidence”
A view into life along the Yalu River – and the social and political divisions of the region.
Mit Jai Inn’s “Beautiful Futures”
Pushing the possibilities of immersive action painting
“The Preservationists”
Rejecting the decorative aesthetics, these works reveal the discomfort that everyday objects evoke.
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Sriwhana Spong’s “A Hook But No Fish”
Much like the Lingua Ignota she was referencing, the artist
Ala Younis’s “Plan for Feminist Greater Baghdad”
Referencing a Le Corbusier design to analyse and interrogate aspects of Baghdad
“Dumb Type”at Centre Pompidou-Metz
A survey of Japan’s pioneering new-media collective.
Cui Xinming’s “Differentation”
Allegorical paintings about history and painting.
