Xu Zhen’s “Alien”
Addresses the contemporary politics of conflict, protest, migration, and the identification of the
Addresses the contemporary politics of conflict, protest, migration, and the identification of the
Utopia is a place of interconnection, with the lines between public and private realms blurred and fluid.
Freedom is attained through discipline. Only rarely does the artist permit a spontaneous line to leap free.
Can the traditional arts be re-cast as contemporary art for the public?
Mak creates a strange atmosphere, reflecting the feeling of a quasi-hypermodern spirituality when we look around to see what we actually pay dues to.
Has potential to be compelling but much in
“Dismantling the Scaffold” implies an active de-shrouding; a tearing away at structures; a shedding of the temporary to reveal the concrete.
What is it like to make art in a place identified with conflict, in a Muslim community within a Buddhist nation?
Paying tribute to a special creative period, Edouard Malingue Gallery presents 12 of Zheng