Lee Bul’s “After Bruno Taut”
Lee Bul
“The Other Face of the Moon”
Exploring Western modernity and its
Jewyo Rhii’s “The Day 3, Walls and Barbed”
“a response to a response.”
Pascal Hachem’s “The Show Has a Long Title That I Don’t Recall Anymore”
Questioning the capacity of impressions to remain accurate over time.
Soojin Kang’s “Growth”
Creating a post-apocalyptic atmosphere, three expansive, incomplete cocoons hung from the ceiling at London
Ding Yi’s “Appearance of Crosses”
Seven large square paintings of these seemingly infinite geometrical shapes, tessellating and overlaid in a palette of black, white, luminous green and warm orange, filled the gallery with optical tricks.
