“Fearless: Contemporary South Asian Art”
The AGNSW’s first presentation on female artists with ties to South Asia.
“The Commute”
Indigenous consciousness prevalent across the Pacific Rim through the concept of
Jess Bradford’s “An Image of a Tiger”
Bradford explores representational theory and the slippage between two- and three-dimensionality.
“Eavesdropping” at the Ian Potter Museum of Art
Exploring the technics, legalities and politics of what it might mean for someone or something to be listened to.
Zanny Begg’s “The Beehive”
The Beehive (2018) tells the story of Juanita Nielsen, a Sydney heiress, activist, and publisher of local newspaper NOW who disappeared in 1975.
John Mawurndjul’s “I Am the Old and the New”
Presenting a long overdue celebration of John Mawurndjul, one of the foremost Indigenous bark painters in the country.
Haegue Yang’s “Triple Vita Nestings”
The work functions as a mini-survey of the artist
Jason Phu and John Young Zerunge’s “The Burrangong Affray”
The project seeks to address the forgotten horrors faced by Chinese migrant gold miners.
