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Issue 32 | Oct/Nov/Dec 2001

Essays

  • Excavating history: Yanagi Yukinori implodes Japan By Doryun Chong
  • Breaking through twisted logic: Heri Dono’s Critical Eye By Jim Supangkat
  • Samoan Art Histories By Sean Mallon
  • The Aesthetic Obsessions of Tariq Alvi By Robert Preece
  • Processes of Erasure: Paul Pfeiffer's narratives of the global By Joan Kee
  • Cross-cultural Translations: Hanh Ngo and 'being Vietnamese’ By Laura Murray Cree

Reviews

  • New York: Qiu Zhijie By Mathieu Borysevicz
  • New York: Pouran Jinchi By Jonathan Goodman
  • Moncton: Minh Nguyen By Julian Forrest
  • Canberra: Ruth Watson By Gordon Bull
  • New York: Bae Bien-U By Jonathan Goodman
  • Santa Monica: Masahiko Kuwahara By Collette Chattopadhyay
  • TRIBUTE: Susan Dewar (1944-2001) By Meg Maggio

Commentary

  • Gifts, Hopes, Encounters By Motoaki Hori
  • MAAP By Linda Carroli
  • Yokohama Triennale By Naoyuki Takashima
  • A Different Reality By Sophie McIntyre
  • New York Scene: Takashi Murakami, Wang Du and Mel Chin By Rachel Kent
  • Li Yuan-chia By Katie Hill
  • First steps: Emerging artists from Japan By Gregory Galligan
  • A Super-Flat Reality By Doryun Chong
  • From Inside the Body: Chinese New Photography and Video By Jonathan Goodman

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