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Issue 26 | Apr/May/Jun 2000

Reports

  • Finding a place for art: Singapore report By Felicity Fenner

Essays

  • Sieve-o-physis: An Interview with Anita Dube By Kamala Kapoor
  • XU Bing: The Cage of Words By Jonathan Goodman
  • Fishes and dragons: Ah Xian's 'China. China' Series By Claire Roberts
  • RED AND WHITE REFIGURED: INDONESIAN ACTIVIST ART IN PROGRESS By Astri Wright
  • Gu Wenda: SILENT SELVES AND PSEUDO-CHARACTERS By Britta Erickson
  • Passing through fire: Pain and transformation in the art of Arahmaiani By Fiaudette May V. Datuin
  • A NEW ORDER: Contemporary visual art in Sri Lanka By Anoli Perera

Reviews

  • In full bloom: Kusama, Araki and Dumb Type By Natalie King
  • A new generation: Young artists on show in Tokyo By Edan Corkill
  • Womanifesto: An exhibition of woman's art in Bangkok By Varsha Nair
  • Opening cultural doors: Exhibiting indigenous art By Courtney Kidd
  • Fresh visions: '1999 Art China' in San Francisco By Reena Jana
  • A sense of self: Anglo-South Asian artists speak out By Kevin Braddock
  • Face to face: Contemporary art from Taiwan By Wen-rwei Hsu
  • Heri Dono By Iola Lenzi
  • Lim Young-Sun By Jonathan Goodman
  • Ram Rahman By Jan de Vries
  • Re-emplace By Iola Lenzi
  • In the Red By Mark Harrison
  • Modern Aaian Art By Bernard Smith
  • Michael Parekowhai By Blair French
  • Film - open and closed By Andrew Frost
  • Judy Freya Sibayan By Steven Pettifor

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